Unit 5: Production Paperwork Shotlist

Shot Number/type and angle:	Description of action:	Setting:	Lighting:	Duration: 60 sec. = 1 min.  300 sec. =  5 min	Sound/music SFX Dialogue:
1/ Close up	Close up shot of a scene from SKY NEWS talking about the government censorships on sexually explicit music videos.	N/A	N/A	3 sec.	Diegetic sounds.
2/	Archive footages of Rihanna’s/ S&M	N/A	N/A		Piece to camera Voice over
3/	Ciara/ Love, sex and magic music videos on Youtube.				Piece to camera Voice over
4/					Piece to camera Voice over
5/ mid shot	Mid Shot of the presenter talking to the audience about what will shown in the documentary and who the special guests are that I will be interviewing with such as Sadiq Khan and my other interviewees.	Outside London streets in an empty area where the public will not interrupt my documentary. Near a poster of music videos that denotes sexual explicit connotations.	Natural Lighting during day light.	Approx.  3 sec.	Voice over from piece to camera
3/ Close up shot		Still outside the streets of London.	Natural Lighting during day light.	6 sec.	Non – diegetic sounds.
	Cutaway of the Westminster and Big Ben in Central London.
	Cutaway of Sadiq Khan’s picture
	Cutaway if his office
	Establishing shot (long shot) of Sadiq Khan’s office
4/ Full angle	Voice over introducing Sadiq Khan and opening the interview with him where he is sitting in his office with a full angle of him and his desk.  His desk connotes professionalism and creates that sense of seriousness and formality.	Sadiq Khan’s Tooting Labour Party Office.	Natural light as I will preferably interview him during day light but lighting will be brought with me if need may be.	6 sec.	Non – diegetic sounds.
5/ Mid shot or Close up	Than with the second question, I will zoom in a bit closer to Sadiq’s face from a mid shot or a close up shot.	Sadiq Khan’s Tooting Labour Party Office.	Natural lighting		Non – diegetic sounds.
6/ Established shot or Mid shot.	When we almost come to an end in our interview, I will have an Established Shots or mid shots of me and Sadiq Khan to show that the interview with him is real. At the end, will be of both me and Sadiq ending the interview by me saying ‘’Thank You very much’’.	Sadiq Khan’s Tooting Labour Party Office.	Natural Lighting from the daylight.	5 sec.	Non – diegetic sounds.
7/ Close up or established shot of archive footage from sexually explicit music videos/ scenes such as Rihanna/ S&M	In the mean time, there should also be some relevant cutaways to make my documentary interesting and so that my target audience doesn’t lose any concentration.  Through the use of imagery and motion I will maintain their attention span.	N/A	N/A	2 sec.	Diegetic sounds
8/ Mid Shot	Mid Shot of my again as the presenter talking to the target audience of what actually the wider public of my target audience thinks?  Here, I will talk about what my target audience thinks in a VOX POPS interview with two young collage students who will base their opinions on my subject matter for my documentary.	In Graveny Collage	Natural Lighting	Approx. 3sec.	Non diegetic sounds
9/ Mid Shot	Mid Shot of Junior (college student) providing a polarized opinion about what he thinks of the government censorships on sexually explicit music videos.	In Graveny Collage	Natural Lighting	Approx. 6 sec.	Non diegetic sounds
10/ Mid Shot	Followed by Mid Shot of Jebel doing the same things as Junior where he is talking to me as a presenter about his polarized opinions of the issues covered in my subject matter.	In Graveny Collage	Natural Lighting	6 sec.	Non diegetic sounds
11/ A variety of shot types (see what cutaway it is to suit with the shot).	Again, just like with Sadiq Khan’s interview I MUST have some relevant cutaways or archive footage to not make the documentary appears as if it is all about the interviews that are taking place.	N/A	N/A	10  sec.	Diegetic Sounds.
12	I will also include some statistics. Facts or figures, which are relevant to my documentary to indicate that the issues covered in my documentary  are real, which makes my documentary more believable and that it is a real serious issue.  That it should not be ignored.	N/A	N/A	4-6 sec.	Diegetic Sounds (include background instrument here)
13/ A different technique shot which is much more interesting. Here us like the Ghost village project>> TIME LAPSE WHERE YOUR SURROUNDING WHILST YOU’RE TALKING TO THE VIEWERS IS MOVING QUICKLY BUT YOU’RE NOT MOVING. YOU’RE JUST TALKING TO THE VIEWERS; YOUR BACKGROUND IS IN MOTION.	’’A real TO-BE artists who is involved in the music industry is talking for the first time about how it feels like to be different from the main stream as in her star persona, how the sexualisation of music videos and the censorships of music videos does not have any impact or effect on her whatsoever. ‘’ ’’She is Keira who will took part in an interview with me aswell. Let’s hear what she says’’.	MAYBE Next to a LED TV denoting a sexually explicit music videos of a singer (e.g. CIARA/  sex, magic and love.	Natural lighting from outdoors day light.	7 sec.	Non diegetic sounds
14 Full shot of at the beginning introducing the setting and where we are. Then, mid shot of Keira and me. One close up shot and at the end Mid shot or full shot again.	DO KEIRA INTERVIEW	In the HUB STUDIO	EXTRA LIGHTING MUST BE BROUGHT WITH ME, AS THE HUB STUDIO HAS NOT ENOUGH LIGHT.	8 sec.	Non- diegetic sounds
15/ Mid Shot	ME ASKING HER THE QUESTIONS	HUB STUDIO		5-7 sec.	Non diegetic sounds
16/	Cutaways AGAIN			9 sec.	Diegetic Sounds
17/ Full or Mid shot	Conclusion of me talking to the viewers somewhere as a presenter.			7 sec.	Non diegetic sounds